Friday, October 18, 2013

In Theaters This Weekend: Reviews of '12 Years a Slave,' 'The Fifth Estate' and More


Steve McQueen's biopic 12 Years a Slave, which has received high praise from film critics, hits theaters on Friday.



The historical drama stars Chiwetel Ejiofor as Solomon Northup, a free black man from New York who was kidnapped in 1841 and sold into slavery. Ejiofor is joined by a star-studded cast including Michael Fassbender, Benedict Cumberbatch and Brad Pitt. The Fox Searchlight Film first debuted at the Telluride Film Festival in August where the cast and crew received a standing ovation.


Read what The Hollywood Reporter's film critics have to say about all the films opening this weekend and find out how they are expected to perform at the box office.


PHOTOS: Benedict Cumberbatch: Exclusive Portraits of 'The Fifth Estate's' Leading Man 


12 Years a Slave


Steve McQueen's slave drama stars Chiwetel Ejiofor, Michael Fassbender and Benedict Cumberbatch. Read Todd McCarthy's review here.


The Fifth Estate


Bill Condon's look at WikiLeaks centers on the falling-out between Julian Assange and a key ally. Read John DeFore's review here.


Carrie


Chloe Grace Moretz and Julianne Moore star in Kimberly Peirce's remake of the 1976 horror classic, based on the novel by Stephen King. Read David Rooney's review here.


Escape Plan


Aging action heroes Sylvester Stallone and Arnold Schwarzenegger take the screen together in this pulpy retro-actioner from director Mikael Hafstrom. Read Todd McCarthy's review here.


PHOTOS: '12 Years a Slave': Exclusive Portraits of Star-Producer Brad Pitt and His Cast 


Kill Your Darlings


Daniel Radcliffe and Dane DeHaan head the ensemble in this jazzy exploration of the birth of the Beat Generation via a violent footnote. Read David Rooney's review here.


All Is Lost


Robert Redford leads a rugged survival-at-sea story from the Margin Call director. Read Todd McCarthy's review here.


Haunter


Vincenzo Natali offers the ghost's side of the story in a sober, supernatural take on Groundhog Day. Read John DeFore's review here.


I'm in Love With a Church Girl


A former drug kingpin romances a religious woman in this faith-based drama. Read Frank Scheck's review here.


VIDEO: 'Carrie'-Inspired Coffee Shop Prank Goes Viral


American Promise


This special jury prize-winning documentary follows two African American boys, who start out at New York's Dalton School, over 13 years. Read Duane Byrge's review here.


Big Ass Spider!


A King Kong-sized spider terrorizes downtown L.A. in Mike Mendez's fun cheapie. Read John DeFore's review here.


2 Jacks


Danny Huston and his nephew Jack star in this modern-day adaptation of Tolstoy's short story The Two Hussars. Read Frank Scheck's review here.


The Human Scale


Adreas M. Dalsgaard's doc looks at efforts to make cities pedestrian-friendly. Read John DeFore's review here.


STORY: Daniel Radcliffe on Why First-Time Directors Beat 'Somebody Who's Done 10 Films and Couldn't Give a Shit' 


The Snitch Cartel


Colombia's foreign language Oscar entry is lively but doesn’t offer nearly enough fresh variations on the Scarface formula. Read Stephen Farber's review here.


Torn


Jeremiah Birnbaum's drama explores the unlikely friendship between two mothers after their sons are killed in a shopping mall explosion. Read Frank Scheck's review here.


Source: http://feedproxy.google.com/~r/thr/film/~3/aVSPhDg60ko/story01.htm
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Thursday, October 17, 2013

Melissa McCarthy's Elle Cover Controversy: Magazine Releases Statement


The heat is on! Not everyone loves Melissa McCarthy's Elle cover for its November Women in Hollywood issue. In fact, a significant number of fans are irate over the fashion glossy's decision to photograph her swathed in an overcoat, her face partially concealed by her hair -- especially in comparison to the magazine's other cover girls that month, all of whom are much more exposed in their photos.


PHOTOS: Melissa McCarthy's style evolution


Reese Witherspoon in Elle's November issue.

Reese Witherspoon in Elle's November issue.
Credit: Thomas Whiteside



In an essay for Slate about McCarthy's cover-up, culture editor June Thomas wrote of the full-figured actress' Elle shoot, "[She] was photographed in a Marina Rinaldi coat so huge that she could hide her Mike and Molly co-star Billy Gardel underneath. McCarthy’s hair covers a quarter of her gorgeous face, and with her hands stuffed deep into her coat pockets, the only visible flesh is a tiny triangle between the coat’s lapels and the briefest glimpse of calf."


PHOTOS: Reese Witherspoon's body evolution


Shailene Woodley in Elle's November issue.

Shailene Woodley in Elle's November issue.
Credit: Thomas Whiteside



Elle has since released a statement defending their styling of McCarthy. "On all of our shoots, our stylists work with the stars to choose pieces they feel good in, and this is no different: Melissa loved this look, and is gorgeous on our cover," the magazine said. "We are thrilled to honor her as one of our Women in Hollywood this year."


While the Heat star certainly looks glamorous and stylish in the cashmere outerwear, she is definitely and suspiciously far more concealed than her fellow honorees are on their covers. Reese Witherspoon wears a sexy cutout Versace dress on hers; Shailene Woodley is clad in a black one-piece swimsuit; and while Penelope Cruz, who was pregnant at the time of the shoot, doesn't show her body at all on her cover, her face is left relatively bare and natural-looking.


Penelope Cruz in Elle's November issue.

Penelope Cruz in Elle's November issue.
Credit: Nico



PHOTOS: Worst celebrity Photoshop disasters ever


This isn't the first time that a photo of McCarthy has generated controversy. Critics cried Photoshop foul over movie posters for The Heat, which featured a seemingly slimmer McCarthy next to Sandra Bullock.


Source: http://www.usmagazine.com/celebrity-body/news/melissa-mccarthys-elle-cover-controversy-magazine-releases-statement-20131710
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Obama Presents Afghan War Vet With Medal Of Honor


WASHINGTON (AP) — President Barack Obama says a former Army captain who survived one of the Afghan war's deadliest firefights is a reminder that Americans look out for one another even when it's difficult.


Obama commented at a White House ceremony before placing America's highest military honor, the Medal of Honor, around William D. Swenson's neck. He says Swenson is an example of what Americans can be at their best.


The Seattle native was recognized for bravery in battle against Taliban insurgents in the Ganjgal valley near the Pakistan border in 2009.


The fight claimed five Americans, 10 Afghan army troops and an interpreter.


Swenson was a trainer and mentor embedded with the Afghan National Security Forces in Afghanistan's Kunar Province. He risked his life to recover bodies and help save fellow troops.


Source: http://www.npr.org/templates/story/story.php?storyId=234547751&ft=1&f=
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Shutdown deal settles nothing in the long run


The United States flirted suggestively this week with default but ultimately went home with a short-term solution that sets up a series of similar crises in the next few months.


This is no regrettable one-night stand: Democrats and Republicans now face a deadline for forging a broader compromise on the nation's woeful finances (Dec. 13), while government funding runs out Jan. 15 and the next debt ceiling fight is programmed for Feb. 7. The hard-fought agreement, though widely heralded as a breakthrough, offers only a brief truce in the wars over the government's finances and Obamacare.


Thanks to the deal, the United States won't face default — at least for now. Federal workers idled by the first partial government shutdown since 1996 will get back pay. And tourists frustrated by makeshift barriers and student-art-project-caliber signs declaring popular monuments closed will get some relief. Small-business loans will start flowing again. For moms reliant on food aid, for scientists starved of research grants and for others, it’s a grimmer picture. There's no answer here to government spending cuts that affect them. And forecasters warn that the standoff slowed economic growth, effectively shaving $24 billion from the fragile recovery.


“There are no winners here,” White House press secretary Jay Carney intoned somberly from the briefing room podium.


That’s not quite true — and not just because anonymous "advisers" to President Barack Obama seemingly invited reporters to think of him as JFK facing down the Soviets in the Cuban Missile Crisis, while top aides high-fived one another (and maybe themselves) in pieces like this.


The obvious big winner was Obamacare. Imagine that House Republicans, spurred on by Texas Republican Sen. Ted Cruz, hadn't shut down the government and threatened global economic mayhem to try to force the White House to whittle away at the law. What would have been the top story, not just for health care reporters, but for their more easily distracted brethren who cover politics? The president's signature health care law, his most significant domestic policy achievement had such a botched rollout that it almost felt like his visit to the Federal Emergency Management Agency might have included a covert plea for help.


The White House war plan had called for trying to shift the Obamacare debate from a philosophical dispute about the government's proper role in health care to a battle one aide summarized as "they want to take away your health care benefits." Obama himself linked the Affordable Care Act to Social Security and Medicare. Widely reported glitches could by rights have crippled that narrative. Instead, the shutdown took up so much bandwidth that reporters failed to ask Obama even one question about the botched rollout during an Oct. 8 press conference. And the controversial law actually got more popular during the crisis (though it remains unpopular). The tea party? Less popular. 

(Another winner? Republican Rep. Michael Grimm of New York, for similar reasons.)

Obama won. He got what he publicly demanded: the government reopened and a debt limit increase without ideological concession to Republicans.

The GOP vowed not to wave the white flag — and its new strategy sounded oddly like Obama's recalibration of the war on terrorism from vast conflicts like Iraq and Afghanistan to smaller operations like commando raids and drone strikes, thought to be less likely to foster vast popular resentment.


"We will rely on aggressive oversight that highlights the law's massive flaws and smart, targeted strikes that split the legislative coalition the president has relied upon to force his health care law on the American people," Republican House Speaker John Boehner promised on Wednesday.

Democratic Senate Majority Leader Harry Reid has to be counted among the winners: Arguably the most fascinating and important dynamic of the standoff was the unusual-to-the-point-of-shocking unity among famously fractured Senate Democrats. 

To hear one plugged-in Senate Democratic aide tell it, "There wasn't any browbeating and there's wasn't any arm-twisting, because there wasn't really any need." Instead, Democrats saw the public side with Democrats. And even lawmakers facing uphill re-election fights, like Arkansas Democratic Sen. Mark Pryor, spoke out on the floor of the Senate.


"Everyone seemed to understand that a line had to be drawn, and defaulting was it," the aide explained. "As the situation evolved, it became clear that Democratic unity was paying off, especially in contrast with the Republican disarray." 


But accepting spending levels in line with "sequestration" — the across-the-board cuts resulting from a debt limit standoff in August 2011 — was "a bitter pill to swallow," the aide said. Will Reid and the White House use the upcoming fights to replace those cuts? Will Democrats divide over spending levels?


What about Obama? His poll numbers sank a bit, though Democrats are quick to point out that  Republicans fared far worse and that he doesn't face the voters again. That's true, though the GOP is sure to make him an issue in the 2014 midterms and he still has a stalled domestic agenda. 


But one place where the president scored at least a temporary victory was in the notion that the debt limit is off-limits to what the White House repeatedly characterized as "extortion" for partisan gain.


Sure, that position makes his own speeches as a senator denouncing increases in the debt limit look like politically motivated opportunism. But aides describe him as profoundly committed to rolling back the precedent he set with Republicans in the debt limit battle of summer 2011. 


It's a promise he made on Jan. 1.


"While I will negotiate over many things, I will not have another debate with this Congress over whether or not they should pay the bills that they’ve already racked up through the laws that they passed," he said. "Let me repeat: We can't not pay bills that we've already incurred. If Congress refuses to give the United States government the ability to pay these bills on time, the consequences for the entire global economy would be catastrophic."


Democrats point to a vote, later that month, in which many of the Republicans vowing never to back a debt limit increase without significant concessions did just that.


But that doesn't mean the president will prevail again.


Obama benefited another way. Grumbling from congressional Democrats had grown louder in the months before the shutdown as the White House faced revelations about spying on Americans and looked utterly adrift on Syria, even as the recovery failed to pick up much steam. But the shutdown helped the president's allies paper over rifts and unite against Republicans.


That unity might be tested as the 2014 elections draw closer.


The picture only gets blurrier for the other players. House Speaker Boehner? In the end, he wasn't able to deliver what several House GOP members privately said they wanted: a meaningful counterweight to the debt ceiling hike, making it easier to explain their votes to folks back home and potentially inoculate themselves against a primary challenge. Those lawmakers will now have to settle for voting "no" on the final bill. But rumors of a possible challenge — implausible on their face given the lack of a plausible challenger — fizzled out.


Republican Senate Minority Leader Mitch McConnell? His primary opponent will surely try to exploit McConnell's central role in crafting the deal. But the senator himself underlined that the agreement preserved "sequestration" spending cuts. "This is far less than many of us had hoped for. But it’s far better than what some had sought," he said.


Vice President Joe Biden? He didn't play the key role he played in past standoffs. And the White House press office forgot to mention his presence at meetings with key lawmakers at least twice. That might set tongues a-wagging, but aides deny that he'll take a lower profile in those upcoming budget debates. 


And Cruz? He boosted his profile sharply with tea party-affiliated Republicans who are likely to shape the party's nomination fight in 2016. And while some might question why he ultimately decided not to try to block a deal he described as "terrible," one senior Republican aide suggested that Cruz had actually shown a sense of timing. 


"I don’t think he saw any merit in prolonging this fight," the aide told Yahoo News, "particularly when he could say everyone else 'caved.'"





Source: http://news.yahoo.com/shutdown-breakthrough--more-like-intermission-201630158.html
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Apple Expected to Announce iPad Updates at Event Next Week








The image that accompanied Apple’s October 22 media event invite.



Apple sent out invites to its next product-filled media event this morning, which will be held on October 22 in San Francisco. The invite teases us with “We still have a lot to cover,” written below a colorful, fall inspired Apple graphic. We’re expecting Apple to announce a number of new additions to its lineup Tuesday, including highly-anticipated iPad updates.


Signs point to a redesigned fifth generation iPad that is styled like a larger version of the iPhone 5/5s rather than previous iPads. The iPad mini is also expected to get a major upgrade with the addition of a high-resolution Retina display.


What else could we see next week? We should get a closer look at OS X Mavericks, the next big update to Apple’s desktop operating system. Along with that, the MacBook Pro should get an upgrade for 2013. We could also get a better look at the Mac Pro, which we got a sneak peek of at WWDC this summer. As with last month’s event, we don’t think Apple is going to spend any stage time on the iPod line.


Apple already updated its iMac line for this year with faster processors and 802.11ac WiFi.


We’ll be there October 22 at San Francisco’s Yerba Buena Center for the Arts to share everything Apple unveils. Stay tuned!







Source: http://feeds.wired.com/c/35185/f/661370/s/327d6d30/sc/15/l/0L0Swired0N0Cgadgetlab0C20A130C10A0Capple0Eoctober0Eevent0Einvite0C/story01.htm
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Tiny bats use leaves as megaphones to call home

Bats are climbing inside curled leaves and using them to amplify sound, marking the first time an animal has been observed using a tool to increase its vocalization range. A recent study has shown that Spix's disk-winged bat uses the shape of the leaves to boost the sound of both incoming and outgoing calls.


The tiny bats — so named for cute little suction disks on their wings — roost inside curled-up leaves. To identify the correct roosting spot, they call out: when that call is met by a chirped response, they know they've found home. The study, published by the Proceedings of the Royal Society, found that both call and response sounds were amplified by the shape of the leaves. Outgoing replies from roosting bats were faintly boosted by the leaves' trumpet-like effect; incoming calls from flying bats were significantly increased in power as sound waves were funneled down the leaves' lengths.



Spix's disk-winged bat uses leaves to boost the sound of its calls


The study also found that both of these calls were so significantly distorted by their leaf modulation that roosting bats wouldn't be able to understand who was making the sound. As io9 report, National Geographic News' Christine Dell'Amore explains that roosting bats instead "respond indiscriminately" to calls of their species. Response calls, Dell'Amore says, are "more acoustically complex," meaning that despite leaf distortion, enough information gets through for a calling bat to successfully find his friends.





Source: http://www.theverge.com/2013/10/17/4847030/tiny-bats-are-amplifying-their-calls-using-leaves
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U.K. TV Indie Giants Merge to Create Regional Powerhouse



YouTube


"Splash" is a Twofour Broadcast production.



LONDON – Plymouth-based indie production giant TwoFour is merging with former BBC One controller Lorraine Heggessey and Huw Eurig Davies' year-old production venture Boom Pictures in Cardiff.



The merger will create what the duo claim will be a "major new nations and regions player" in indie media production.


The deal sees Twofour Group’s global business -- comprising Twofour Broadcast, Twofour Rights and Twofour Digital -- joining Boom Pictures, with its senior executives taking key roles in the enlarged Boom Pictures group.


This merger fuels the growth of Boom Pictures in line with plans set out by co-founders Heggessey and Davies when they launched the group in July 2012.


Twofour greatly expands Boom's network programming, moving the company into key genres such as entertainment and features.


The deal also brings in international distribution for output with Twofour Rights, and a growing production presence in the U.S.


In addition, Twofour’s thriving digital arm serves blue chip brand clients and a growing hub in Abu Dhabi.


The merger has been supported by U.K. private equity firm LDC, that invested in the creation and development of Boom Pictures in 2012.


The merging of the two businesses puts Boom Pictures group firmly among the top 10 UK indie production outfits.


The freshly-merged entity will operate from Boom’s Cardiff headquarters and Twofour’s headquarters in Plymouth.


Heggessey, executive chair and co-founder of Boom Pictures, said: "We’re on an exciting journey and it’s the right time for us to join up with such an excellent creative and executive team who have already built a hugely successful company. Boom and Twofour fit together perfectly and have a similar positive culture, firmly rooted in the nations and regions."


Twofour Group founder and CEO Charles Wace said: "In looking at the future of Twofour’s business, the attraction was the backing of LDC, one of the U.K.’s leading and most experienced private equity firms, combined with Lorraine’s leadership and vision. This ambitious partnership is the ideal platform to help take Twofour to the next stage in its life."


Davies, deputy chair and co-founder of Boom Pictures added: "The strategic value of this deal, at this stage in our development, is that it fulfils several key business growth ambitions. It gives us real scale, a base from which to grow in the U.S. and brings distribution in-house so we can benefit from the rights that come from our creativity."


Twofour Broadcast has produced over 200 hours of original broadcast programming across all major U.K. broadcasters with shows such as ITV’s hit Splash! and the forthcoming The Alpine Games (w/t) for Channel 4.


It also brings successful factual entertainment titles including Alex Polizzi’s The Hotel Inspector and The Fixer as well as fixed-rig factual hit Educating Yorkshire.


The inclusion of Twofour Digital with its blue chip clients including DuPont / Ogilvy Entertainment, and the award winning Horizons series on BBC Global News will build on Boom Pictures’ digital and branded content expertise.


Boom group currently boasts award-winning work with major brands through the Boomerang label, which produces GT Academy for Nissan and Playstation and The Clare Balding Show for U.K. telecom giant TV venture BT Sport.


Twofour’s post-production banners in Plymouth will compliment Boom Pictures’ own offering through Cardiff-based Gorilla and The Joint in Soho, London expanding the group’s ability to keep its post-production in-house.


The deal also gives Boom Pictures a greater international footprint and global reach.


Twofour Rights, which launched in 2012, becomes the group’s in-house distribution arm, Twofour Broadcast’s Los Angeles office gives Boom Pictures a base in the U.S. from which to build on its relationships with American networks and cable channels.


Twofour Digital’s Abu Dhabi office adds a presence in the growing Middle East market.


The Twofour labels will retain their names and branding, with the senior management continuing in their current roles or taking on Boom Pictures Group roles.


The management changes will include Wace stepping back from his role as CEO of Twofour Group "to pursue other interests."


But he will remain involved through his new roles on the Boom Pictures board as non-executive chairman of Twofour and a non-executive director of Boom Pictures.


Melanie Leach will continue in her role as managing director of Twofour Broadcast, and will become an exec director of Boom Pictures with a seat on the board.


Leach said: "Twofour’s slate has continued to strengthen under the current management team and we’re excited to work alongside Lorraine and Huw as we build what we hope will become one of the UK’s most admired media groups."


Boom Pictures launched with a strategy "to support the organic growth of the companies within the group, to attract leading creative talent, to back start-ups, and to acquire companies that extend the group’s portfolio and capabilities."


The first Boom deal was with Graham Linehan and producer Richard Boden for comedy label Delightful Industries, and this was followed in January 2013 by the backing of former ITV drama heads Laura Mackie and Sally Haynes’ new company Mainstreet Pictures.


Boom Pictures companies also include Boom Pictures Cymru, which produces over 400 hours of Welsh language programming for S4C, Boomerang, Oxford Scientific Films and Indus Films. 


Source: http://feedproxy.google.com/~r/thr/business/~3/rw9nuGHpJuY/story01.htm
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