Tuesday, October 15, 2013

Marvel Studios Reportedly Planning 5 — Yes, 5 — New TV Projects




Agents of S.H.I.E.L.D. may only be the beginning for Marvel Studios’ television plans. In addition to persistent rumors that the studio is developing a show centering around Captain America: The First Avenger supporting character Sharon Carter, a new report from Deadline says that the company is shopping a package of four drama series and an additional miniseries to shop around cable channels and video-on-demand companies, including Netflix and Amazon.


According to the report, various unnamed providers have shown interest in the package despite the size of the commitment necessary — 60 episodes in total, presumably split between four 13-episode series and an additional eight-episode mini-series, as opposed to a more traditional commitment of 13-20 episodes at a time.


In theory, there’s a lot about this rumor that makes sense from Marvel’s perspective. Not only would an upfront, guaranteed-episode deal remove the worry caused by tumbling ratings — Agents of S.H.I.E.L.D. lost 38 percent of its audience between the first and second episodes — but alternate content delivery systems may also be looking more attractive. The third episode of S.H.I.E.L.D. gained 52 percent more viewers when DVR views within a week of broadcast were factored in, and signs point to DVR-based viewing only growing in popularity over time.


The benefit for the companies bidding on the package is slightly more mixed, however. While it would allow them to advantage of the popularity of the Marvel brand, the falling ratings and critical grumbling about Agents of S.H.I.E.L.D. have demonstrated that no brand is invulnerable, particularly when it branches outside of its established areas of success.


There’s also the issue of timing. Right now, Marvel is a hot property, but these shows wouldn’t be available to debut until mid-to-late 2014 at the earliest. What if Thor: The Dark World, Captain America: The Winter Soldier or Guardians of the Galaxy flop at the box office in the meantime — or the many DC Entertainment-produced shows currently in development (Batman spin-off Gotham at Fox, Constantine at NBC and The Flash at the CW, in addition to the currently-airing Arrow) simply overwhelm demand for superhero properties on TV?


Even with the considerable strength of Disney behind it, the package as reported by Deadline might be a gamble for whoever ends up buying it. If Marvel’s considerable success at the box office continues and the gamble pays off, however, an instant portfolio of Marvel projects could be a very lucrative thing indeed.


Marvel Studios declined to comment to WIRED on this subject.



Source: http://feeds.wired.com/c/35185/f/661469/s/327ecb46/sc/38/l/0L0Swired0N0Cunderwire0C20A130C10A0Cmarvel0Enew0Etv0Eshows0C/story01.htm
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Apple aims 3D at the desktop

A newly-award patent envisions a desktop GUI with tilted windows displayed in a three-dimensional array.


Apple's envisioned 3D desktop.

Apple's envisioned 3D desktop.


(Credit: Apple/USPTO)

Apple is looking to bring a bigger dose of 3D to the desktop, at least based on details unveiled in a freshly-awarded patent.


The patent, dubbed simply "Browsing and interacting with open windows" and awarded Tuesday by the US Patent and Trademark Office, describes a desktop interface that lets you peek beyond the standard three-dimensional Cover Flow view already found on the Mac. Also part of Safari, that view lets you flip your way through open windows until you find the one you want.



In the patent, Apple envisions a way that you can tilt the desktop interface, essentially providing more of a bird's eye view, so that windows and other background objects are revealed. You could tilt the desktop through a specific keyboard combination or a touch-based gesture, assuming the screen is touch-enabled.


You can then more easily pick the window you want to see without having to flip through the entire batch. After your chosen window or application becomes active, that item's menu bar pops up to display all of the needed controls.


As the patent describes it in typical patent-ese:



In various implementations, within a three-dimensional desktop, the open windows can be displayed in a three-dimensional browsable parade. As the user browses through the open windows in the browsable parade, the open window passing through a designated primary location of the three-dimensional desktop becomes the current active window of the desktop. An application menu bar of the current active window can be displayed on the three-dimensional desktop. The application menu bar and the active window together provide the full range of interactive capabilities that the native application environment of the open window would allow, even though the open window is currently displayed within the browsable parade.



(Via AppleInsider)


Source: http://news.cnet.com/8301-13579_3-57607579-37/apple-aims-3d-at-the-desktop/?part=rss&tag=feed&subj=News-Apple
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A season of Cumberbatch starts with 'Fifth Estate'

TORONTO (AP) — It was the day before shooting began on "The Fifth Estate" when Benedict Cumberbatch, as he was trying on blond wigs for the last time, heard back from Julian Assange, the man he was to play.


Through friends of the WikiLeaks creator, Cumberbatch had reached out to Assange. The letter (which WikiLeaks has since posted online) starts out cordially, with Assange complimenting Cumberbatch's work. But he then levels a warning: "I believe you are a good person, but I do not believe that this film is a good film."


Assange went on to say, at some length, why the movie, based on two books Assange disputes (Daniel Domscheit-Berg's "Inside WikiLeaks: My Time With Julian Assange and the World's Most Dangerous Website" and "WikiLeaks: Inside Julian Assanges War on Secrecy," by British journalists David Leigh and Luke Harding), would do harm to him, WikiLeaks and whistleblowers around the world.


"It winded me quite a bit," Cumberbatch said in an interview shortly after "The Fifth Estate" premiered at the Toronto Film Festival last month. "He was very polite. He wasn't aggressive. ... But there was a certain amount of naivety about what he thought a film's impact could be."


Playing Assange, one of the world's most debated and recognizable figures, was always going to be a challenge for Cumberbatch, and it would be particularly so with his very subject objecting to the enterprise. Cumberbatch hoped his portrait would be balanced, showing Assange as controlling and reckless, but also "fiercely intelligent, principled and rather brilliant."


"Frankly, the perception of him before this film comes out is already a fractured thing," Cumberbatch says. "The kind of tabloid heading of it is 'Weirdo, white-haired guy wanted for rape who's hiding behind Harrod's in an embassy' — nothing to do with the achievements we show in the film. All of that is celebrated."


"The Fifth Estate," which Disney will release Oct. 18, is just the first entry in a season of Cumberbatch, the British actor most famed for his running TV series "Sherlock." This fall, he also appears in "August: Osage County," ''12 Years a Slave" and "The Hobbit: The Desolation of Smaug."


Cumberbatch is the latest British sensation in Hollywood — an actor of scrupulous intelligence and a fragile, shape-shifting presence as unique as his name.


"At the moment, I'm just enjoying the momentum," he says.


But Cumberbatch hasn't been enthralled with every aspect of his growing fame. When hounded by paparazzi earlier this year, he, hooded and wearing sunglasses, held a sign over his face reading: "Go photograph Egypt and show the world something important." The actor sympathizes with Assange, whom he believes has been more scrutinized personally than discussed for his work: "I don't want everyone to know everything about me," he says.


Cumberbatch is known for his energy and boundless loquaciousness, and will go on for many uninterrupted minutes turning over all sides of a question.


What most comes across talking to Cumberbatch, the only child of actors Wanda Ventham and Timothy Carlton, is his thoroughness. To craft Assange, he poured over YouTube footage of him, talked with Assange colleagues and worked with a dialect coach to specify Assange's droll Australian accent.


"It's an excuse for one of the gifts of our job, which is further education," he says. "Within that, I always get embroiled in the detail. ... I believe in the intelligence of audiences and I also believe they deserve hard work."


"Fifth Estate" director Bill Condon says Cumberbatch was meticulous in piecing together Assange.


"With an actor like that, it's just making sure that all of the levels of complexity are communicated," Condon says. "That's his great gift. There are moments when he can express something that's a moment of great intelligence combined with some cruelty and also vulnerability."


Often, Cumberbatch found himself flip-flopping on Assange, judging him cantankerous in an interview, then re-watching and seeing the unfair bias of the interviewer.


"It was very difficult to compartmentalize the work in building toward him," says Cumberbatch. "Every single moment had a huge deal of potential interpretation..."


He's clearly still enraptured by the contradiction of Assange, whom he analyzes with nearly Sherlock-like precision. Yet Cumberbatch says he doesn't feel similar to the fast-thinking detective, whom he says is "a real effort to work up to."


Still, it can be hard to slow Cumberbatch once he gets going. He recalls an interview where he gave a short answer that led to a quiet pause of confusion before he explained that he had indeed stopped talking.


"I do do that sometimes," he says.


___


Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle


Source: http://news.yahoo.com/season-cumberbatch-starts-fifth-estate-172206809.html
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Obama presenting Medal of Honor to Afghan war vet

(AP) — A former Army captain hailed for bravery during combat in Afghanistan in 2009 is adding the Medal of Honor to his list of military decorations.

President Barack Obama will bestow the nation's highest military honor on William D. Swenson on Tuesday. Vice President Joe Biden and first lady Michelle Obama will also attend the ceremony in the East Room of the White House.

The White House says Swenson is being recognized for courageous actions while he was an embedded trainer and mentor with the Afghan National Security Forces in Kunar Province in northeastern Afghanistan on Sept. 8, 2009.

Swenson retired from the military in February 2011. He has a Purple Heart and Bronze Star Medal and lives in Seattle.

Associated PressSource: http://hosted2.ap.org/APDEFAULT/89ae8247abe8493fae24405546e9a1aa/Article_2013-10-15-US-Obama-Medal-of-Honor/id-d653b0116b62418ea7f99f42a3cfa1ad
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Monday, October 14, 2013

Did China Rip Off the Apache Helicopter?

Did China Rip Off the Apache Helicopter?

With fully integrated avionics, weapons, and communications systems, the AH-64D Apache is one of the most successful and deadly aerial assault platforms America's ever fielded, and the technology that powers it is a closely held secret. Imagine, then, the DoD's surprise when these images of what appears to be an intact AH-64D surfaced over the weekend. In China.

Read more...

Source: http://gizmodo.com/did-china-rip-off-the-apache-helicopter-1445138405
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Sunday, October 13, 2013

'Impeccables,' 'Fall From Heaven' Share Top Honors at Turkey's Golden Orange Festival


ANTALYA – Ramin Matin’s The Impeccables and Ferit Karahan’s The Fall From Heaven shared top honors at Turkey's Golden Orange Film Festival at Antalya, which just wrapped up its 50th edition.



Impeccables, the story of two sisters confronting the secrets of their past in a beach-resort, also got a statuette for best director, while Fall from Heaven, which follows a Turkish and a Kurdish woman’s reaction to the same tragedy, picked up a special jury award.


STORY: Turkish Festival Promises $320,000 Prize Purse in Competition 


The other big winner of the evening was Atalay Tasdiken’s Meryem, about a teenage bride coping with loneliness in a small village, taking home statuettes for its leading lady Zeynep Camci, composer Youki Yamamoto and director of photography Feza Caldiran.


The decisions, made by a jury presided over by legendary Turkish actress Turkay Soray, included cash prizes totaling $320,000 spread out among six of the ten winners.


The award for the best international feature film went to Nawapol Thamrongrattanarit’s 36 from Thailand, which employs 36 camera-setups to tell its story.


Source: http://feedproxy.google.com/~r/thr/film/~3/BspDRedpWvk/story01.htm
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Thursday, October 10, 2013

NBA Preseason: Houston Rockets Will Continue Strengthening

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Source: www.ibtimes.com --- Thursday, October 10, 2013
Houston Rockets have revealed that they are not done with their player trades for the season. ...

Source: http://www.ibtimes.comhttp:0//www.ibtimes.co.in/articles/512896/20131010/nba-2013-preseason-player-trades-houston-rockets.htm
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